Ni De Aqui Carpetas
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Árbol Que Nace Torcido, Jamás Su Tronco Endereza

Photography

Árbol Que Nace Torcido Su Tronco Jamás Endereza (2024) features Marisol Ascensio as the subject and powerful embodiment of resistance to generational cycles. This dicho translates to, “A tree that is born crooked will never straighten its trunk,” and conveys the belief that the habits or characteristics acquired in childhood are difficult, if not impossible to change in adulthood. It reflects a culturally accepted idea that people are bound by their upbringing, particularly when that upbringing involves hardship, dysfunction, or trauma. This work directly challenges that notion, offering a visual narrative of transformation, strength, and personal agency.

In the first image, Marisol is seen leaning into a crooked tree, visually and metaphorically becoming one with it. Her body mimics the bend of the trunk, illustrating how deeply we are shaped by the environments in which we grow. The image evokes the weight of inherited struggle suggesting how, for many, being raised in a difficult home or community can feel inescapable. Yet even in this moment of closeness, there is a quiet resistance in Marisol’s posture: she is not defeated by her roots, but still standing.

In the second photograph, Marisol begins to lean forward and away from the tree. This shift in movement represents her decision to move beyond the path that was seemingly carved out for her. Her body language speaks of forward momentum, determination, and self liberation. Though she came from an environment marked by struggle, she chose not to be defined by it. Instead, she built a new path, working hard for her goals and breaking away from the expectations or limitations set by her surroundings.

Through Marisol’s presence and story, this artwork becomes a counter-narrative to the fatalism implied by the dicho. It invites viewers especially young women, to reject the belief that they are destined to repeat the circumstances they were born into. Marisol stands as a living testament that growth, change, and healing are possible. Her journey reminds us that we are not bound by the shape of the tree we grew next to we have the power to bend in new directions and to break generational cycles.

Árbol Que Nace Torcido, Jamás Su Tronco Endereza 1.jpg
Árbol Que Nace Torcido, Jamás Su Tronco Endereza 2.jpg

ARTWORKS FROM THIS INSTALLATION

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No Te Olvides De Tu Cultura is an immersive installation that constists of seven artworks created from family photo archives, inherited objects, and sculptures modeled after my childhood home, a space built to hold memory, to be seen, and to be recognized as a site of healing and safety. Created during a period of deep isolation in San Francisco, this work became a way to return home when I could not physically be there, grounding me in the only thing that sustained me: my family, my culture, and the act of making. The installation parallels my mother’s life and my own, her journey from being born and raised in Mexico to coming to the United States as a wife, a mother, a farmworker, and a cannery worker, and the disorientation she feels when returning to a Mexico that has changed, mirroring my own sense of displacement moving between the Central Valley, Mexico, and San Francisco. We exist in a constant in-between, where belonging is never fixed, and this work lives in that tension. At its core is the quiet, persistent act of creation as survival: my mother’s intricate doilies and my photographs, sculptures, and installations become parallel languages of endurance, care, and expression. By bringing hay and dirt from the Central Valley into the space, filling it with the scent of home and the sounds of Mexican music, I invite the body to remember what the mind tries to hold onto. This work bridges past and present, honoring the labor, sacrifice, and resilience embedded in my family’s history while confronting the generational trauma shaped by discrimination, racism, and sexism. It is an offering, a reclamation, and a declaration that our stories, our labor, and our culture are not only worthy of being preserved, but of taking up space fully, unapologetically, and with love.

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