Ni De Aqui Carpetas
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No Todo Lo Que Brilla Es Oro

Photography

No Todo Lo Que Brilla Es Oro (2024) portrays Elizabeth Alvarez in a deeply personal and visually layered interpretation of “not everything that glitters is gold.” This phrase is often used as a warning, suggesting that appearances can be deceiving, that something or someone seemingly valuable may not be what they seem. While it can serve as a cautionary reminder, it is too often weaponized, especially among women to cast doubt, foster competition, or judge others without understanding their full story.

 

This artwork turns the phrase inside out, shifting the perspective to the one being judged, misunderstood, and diminished, and reclaims her right to shine authentically and unapologetically.

In the first photograph, the viewer is introduced to Elizabeth not through her face, but through an image of her hand adorned with glittering fake gold rings, resting atop a mound of dirt. Her long, polished nails and glittery exterior reflect the assumptions people often make based on appearance alone. The mound of dirt, while humble and grounded, symbolizes the way others may attempt to reduce her to nothing more than flash or facade. This image speaks to superficial judgment the dismissal of someone based solely on how they present, without knowing the depth of their story, struggles, or strength.

The second photograph brings us closer to Elizabeth's emotional reality. She sits atop the same mound of dirt, her body covered in glitter, holding a sparkling heart close to her chest. Her expression is pained but resilient, reflecting the internal impact of other people’s words the sting of being talked down to, judged, or misunderstood. Here, the heart becomes a symbol of her vulnerability and strength, still shining despite being surrounded by metaphorical dirt. 

In the final image, Elizabeth stands tall and grounded on the same mound now transformed. With one hand on her glittering heart and her face turned toward the sun, she embodies peace, self acceptance, and transcendence. The sunlight connects her to her ancestors, who shine their love and protection onto her. She rises above the words, assumptions, and judgments of others, not in arrogance, but in self-honor. No Todo Lo Que Brilla Es Oro becomes a declaration: you are not the dirt they try to bury you in. You are made to shine, regardless of how others perceive your worth. Through Elizabeth’s journey in these photographs, the work invites us to lift each other up, to look deeper, and to remember that real gold lives within.

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ARTWORKS FROM THIS INSTALLATION

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No Te Olvides De Tu Cultura is an immersive installation that constists of seven artworks created from family photo archives, inherited objects, and sculptures modeled after my childhood home, a space built to hold memory, to be seen, and to be recognized as a site of healing and safety. Created during a period of deep isolation in San Francisco, this work became a way to return home when I could not physically be there, grounding me in the only thing that sustained me: my family, my culture, and the act of making. The installation parallels my mother’s life and my own, her journey from being born and raised in Mexico to coming to the United States as a wife, a mother, a farmworker, and a cannery worker, and the disorientation she feels when returning to a Mexico that has changed, mirroring my own sense of displacement moving between the Central Valley, Mexico, and San Francisco. We exist in a constant in-between, where belonging is never fixed, and this work lives in that tension. At its core is the quiet, persistent act of creation as survival: my mother’s intricate doilies and my photographs, sculptures, and installations become parallel languages of endurance, care, and expression. By bringing hay and dirt from the Central Valley into the space, filling it with the scent of home and the sounds of Mexican music, I invite the body to remember what the mind tries to hold onto. This work bridges past and present, honoring the labor, sacrifice, and resilience embedded in my family’s history while confronting the generational trauma shaped by discrimination, racism, and sexism. It is an offering, a reclamation, and a declaration that our stories, our labor, and our culture are not only worthy of being preserved, but of taking up space fully, unapologetically, and with love.

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